I reviewed SF Ballet's The Little Mermaid at the SF Appeal.
Excerpt:
Van Patten moved naturally through Neumeier's organic and earthy choreography, displaying her heart on her sleeve as she wrestled with confinement and social expectations. By the end, she looked emotionally wrecked (which here is a good thing), and the audience gratefully acknowledged that with several standing ovations.
The entire review is here.
Monday, March 22, 2010
Wednesday, March 17, 2010
dance flash @ the appeal: Q&A with chitresh das
This week, I Q&A-ed Chitresh Das at the SF Appeal:
How did you two [you and Jason Samuels Smith] meet and what prompted this collaboration?
We met several years ago while practicing backstage at the American Dance Festival at Duke University. I started to dance and Jason said. "How can you do that with your bare feet?"
Monday, March 08, 2010
dance flash and review @ the appeal: hope mohr and sf ballet
Two things from last week at the SF Appeal:
A Q&A with Hope Mohr:
"I made many detours away from the path of dancing, but I finally heard--and listened to--the voice inside that was still saying, "Dance!" I had to return to dance to be true to myself."
And a review of SF Ballet's Program 4 (which was held until this AM b/c of a backlog):
"It's almost like a battle: think Eminem in pointe shoes (oh gee, what an image), battling with his body instead of his mouth."
A Q&A with Hope Mohr:
"I made many detours away from the path of dancing, but I finally heard--and listened to--the voice inside that was still saying, "Dance!" I had to return to dance to be true to myself."
And a review of SF Ballet's Program 4 (which was held until this AM b/c of a backlog):
"It's almost like a battle: think Eminem in pointe shoes (oh gee, what an image), battling with his body instead of his mouth."
Labels:
Appeal,
Interviews,
Modern,
Q and A,
Review,
Reviews,
San Francisco,
SFB,
WMOH
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